Disco de Mandy Moore: “Wild Hope”

Some of the reviews for "Wild Hope" are ridiculously divisive and, frankly, I don't see the need for it. People should step back, take a breath, and remember that musical tastes (for both artists and listeners) change over time, and Mandy Moore is no exception. I personally love her old stuff, and it still plays regularly in my deck, but "Wild Hope" has earned it's place there, as well. Instead of comparing this offering with her older collection, it is necessary to examine it in it's own right. Many people are decrying that they expected 'more', be that lyrically, vocally, or in terms of maturation. Mandy Moore is twenty-three years old, not forty. I think "Wild Hope" speaks volumes of where she is in her life right now, and I'm grateful to be along for the ride.

The bottom line: Moore is a superior vocalist compared to most of her contemporaries and manages to make even the weakest songs shine. Her previous CDs were littered with both gems and a few clinkers. Fortunately, there are no weak songs on this album. Perhaps people are reacting to the genre or another nebulous construct, but I consider this to be very fitting with my view of who Mandy is (and BTW, I have no problems understanding her vocals - a lyric sheet is unnecessary). Every note is infused with gentle passion, her interpretation belies her years, and I find her writing interesting and provocative without being shameless or melodramatic. Standout tracks include the much-heralded 'Gardenia', 'Looking Forward to Looking Back', 'Slummin' in Paradise', and the title track. If you like Moore, you'll like this, provided you accept that she's an actual person with thoughts and opinions, and not a mindless corporate drone. This has been in my player 24/7 for almost a week and will undoubtedly stay there for the foreseeable future.

As a folk-pop singer-songwriter fan of a certain age, I probably have a different viewpoint regarding this album than some previous reviewers. In fact, I never paid any attention at all to Mandy Moore's CDs until I began reading favorable reviews of "Coverage" from familiar veteran critics. So I bought the album, was pleasantly surprised by Mandy's abilities as a adult-pop interpretive singer. Her latest release,"Wild Hope" not only demonstrates Moore's vocal talents, but also showcases her gifts as a songwriter. (As others have noted, she co-wrote all of the tracks on the new CD.)

Stylistically, the songs range from the pure folk-pop sound of the title track, "Wild Hope" to the 70s soft rock of "Nothing That You Are" (which is very reminiscent of Fleetwood Mac). But most of the tracks fall somewhere between these two extremes. Particularly noteworthy are "Most Of Me" and "Looking Forward to Looking Back", both of which have strong Joni Mitchell influence in the vocal line. A fine effort by Mandy, one which I would expect to appeal to fans of Norah Jones, Jewel, and Sarah McLachlan. One of the best new albums I've heard so far this year - highly recommended!

I have always said that Mandy Moore sang better than Britney Spears and Jessica Simpson. Yet because Mandy always conducted herself with class and dignity, she got less airplay, and less press than trashy Britney or ditzy Jessica. Now, who has the last laugh? Mandy has a thriving film career and has just released her best CD yet. Every song on here is good, with the best (in my opinion) being Nothing That You Are, and Can't You Just Adore Her. This is music made for adults, laid back and easy going, with introspective lyrics. The shocker though is Gardenia. Just Mandy and a piano. She sings about how she let a former love consume her and how she is learning to be happy by herself. Chill inducing.

I was 10 when Mandy Moore first came onto the scene with her single "Candy" and album "So Real." Her sound was just like Britney Spears/Jessica Simpson, but at my age then, the bubblegum lyrics were enough to keep me satisfied. However, where Britney/Jessica remain pop clones, Mandy has gradually matured and developed at the same time as I have gotten older and not been content with bubblegum crap anymore. I moved towards artists like Michelle Branch, Vanessa Carlton, Jewel, Sarah McLachlan, etc. and I feel like Mandy's new sound on this album is on the same level as these artists. I loved this album because it has such a wide of emotions, from the moody and reflective to in-your-face and angsty. I was waiting for her to make this album all along, because it represents who she truly is as an artist.

Mandy already surprised me with her album "Coverage" (2003), but this one is even better! Excellent music, funny and mature lyrics and a beautiful voice: that's the perfect combination for an album, and this is what "Wild Hope" has. Way to go Mandy!